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2012.3.24 Kesen-cho
© » KADIST

Naoya Hatakeyama

Photography (Photography)

Naoya Hatakeyama’s series Rikuzentakata (2011) documents the devastating aftermath of the 2011 Tohoku earthquake and tsunami in Japan. Throughout the series of sixty C-prints (five of which are included in the Kadist Art Foundation’s collection), Hatakeyama’s photographs depict scenes of torn landscapes and leveled homes, demolished villages and massive piles of detritus pummeled beyond recognition. The images serve as records of disaster, seemingly driven by an intense need to bear witness to collective trauma.

2011.5.1 Yonesaki-cho
© » KADIST

Naoya Hatakeyama

Photography (Photography)

Naoya Hatakeyama’s series Rikuzentakata (2011) documents the devastating aftermath of the 2011 Tohoku earthquake and tsunami in Japan. Throughout the series of sixty C-prints (five of which are included in the Kadist Art Foundation’s collection), Hatakeyama’s photographs depict scenes of torn landscapes and leveled homes, demolished villages and massive piles of detritus pummeled beyond recognition. The images serve as records of disaster, seemingly driven by an intense need to bear witness to collective trauma.

2013.10.20 Kesen-cho
© » KADIST

Naoya Hatakeyama

Photography (Photography)

Naoya Hatakeyama’s series Rikuzentakata (2011) documents the devastating aftermath of the 2011 Tohoku earthquake and tsunami in Japan. Throughout the series of sixty C-prints (five of which are included in the Kadist Art Foundation’s collection), Hatakeyama’s photographs depict scenes of torn landscapes and leveled homes, demolished villages and massive piles of detritus pummeled beyond recognition. The images serve as records of disaster, seemingly driven by an intense need to bear witness to collective trauma.

2012.11.4 Takata-cho
© » KADIST

Naoya Hatakeyama

Photography (Photography)

Naoya Hatakeyama’s series Rikuzentakata (2011) documents the devastating aftermath of the 2011 Tohoku earthquake and tsunami in Japan. Throughout the series of sixty C-prints (five of which are included in the Kadist Art Foundation’s collection), Hatakeyama’s photographs depict scenes of torn landscapes and leveled homes, demolished villages and massive piles of detritus pummeled beyond recognition. The images serve as records of disaster, seemingly driven by an intense need to bear witness to collective trauma.

2011.4.4 Kesen-cho
© » KADIST

Naoya Hatakeyama

Photography (Photography)

Naoya Hatakeyama’s series Rikuzentakata (2011) documents the devastating aftermath of the 2011 Tohoku earthquake and tsunami in Japan. Throughout the series of sixty C-prints, Hatakeyama’s photographs depict scenes of torn landscapes and leveled homes, demolished villages and massive piles of detritus pummeled beyond recognition. The images serve as records of disaster, seemingly driven by an intense need to bear witness to collective trauma.

Japanese House Series
© » KADIST

Tomoko Yoneda

Photography (Photography)

Yoneda’s Japanese House (2010) series of photographs depicts buildings constructed in Taiwan during the period of Japanese occupation, between 1895 and 1945. Yoneda focuses both on the original Japanese features of the houses and on details that have been altered since the end of the occupation. The yet-to-be acknowledged history of the occupation of Taiwan and other East Asian countries by Japan during World War II is subtly disclosed in these pictures.

ONE MILLION (Japanese Yen)
© » KADIST

Kwan Sheung Chi

Film & Video (Film & Video)

Kwan Sheung Chi’s work One Million is a video work depicting the counting of bills. Divided into three versions, the video first shows a number of Japanese ten-thousand-yen bills being counted without in an orderly, efficient manner. In Two Million , a similar counting of one-thousand-dollar bills from Hong Kong follows.

LIFE #1, a reenactment of a Japanese officer who is about to behead an Australian flier. The Pacific, 1945
© » KADIST

Shay Arick

Film & Video (Film & Video)

Part of a series of videos called LIFE, where Shay Arik videos that re-enact iconic journalistic photographs. As explained by the video’s title, the departure point for LIFE #1 is the iconic 1943 photograph published by Life magazine that captures Japanese officer Yasuno Chikao from the Imperial Japanese Navy as he raises his sword, seconds before publically beheading Australian war commando Leonard Siffleet in the shores of Papua New Guinea. In Arick’s restaging there are no onlookers in the scene, the only two figures represented are Chikao and Siffleet: the perpetrator and victim of this fatal act of violence.

Large Heart No. 49 (Rasen Kaigan series)
© » KADIST

Lieko Shiga

Photography (Photography)

Lieko Shiga’s photographs appear like dreamscapes. They gain much of their visual power from the unusual interplay between light and color, and the way in which her motifs often seem to defy physical laws such as gravity. She often photographs nocturnal landscapes that are both enchanted and haunted, invoking an emotionally and psychologically complex, contemporary inner landscape, as well as the ancient relations between mysticism, spirituality, and folklore, specifically invoking Japanese traditions and beliefs, while at the same time transforming them.

Candy Castle No. 28 (Rasen Kaigan series)
© » KADIST

Lieko Shiga

Photography (Photography)

Lieko Shiga’s photographs appear like dreamscapes. They gain much of their visual power from the unusual interplay between light and color, and the way in which her motifs often seem to defy physical laws such as gravity. She often photographs nocturnal landscapes that are both enchanted and haunted, invoking an emotionally and psychologically complex, contemporary inner landscape, as well as the ancient relations between mysticism, spirituality, and folklore, specifically invoking Japanese traditions and beliefs, while at the same time transforming them.

Untitled (Family Project)
© » KADIST

Motoyuki Daifu

Photography (Photography)

Seven family members and a cat all squeezed into the small five-room house, where Motoyuki Daifu grew up in Yokohama. This young photographer’s Family Project series documents the chaos of his family’s home life. Viewers of Daifu’s color photographs peer into the cramped, cluttered, and intimate world of their living quarters, what would normally be hidden from outsiders.

Fire Embroidery
© » KADIST

Gozo Yoshimasu

Drawing & Print (Drawing & Print)

Gozo Yoshimasu’s double-sided work on paper Fire Embroidery explores his response to the March 2011 Tohoku earthquake and tsunami. He embarked on the project out of a deep sense of sympathy and commitment, in pursuit of “poetry possible after March 2011”, without exactly knowing where he was heading. He started scribing lines and letters on exceptionally large manuscript paper that he handcrafted every day.

Dear Monster
© » KADIST

Gozo Yoshimasu

Drawing & Print (Drawing & Print)

Gozo Yoshimasu’s visual-poetry series Dear Monster (Kaibutsu-kun) explores his response to the March 2011 Tohoku earthquake and tsunami. He embarked on the project out of a deep sense of sympathy and commitment, in pursuit of “poetry possible after March 2011”, without exactly knowing where he was heading. He started scribing lines and letters on exceptionally large manuscript paper that he handcrafted every day.

Dear Monster
© » KADIST

Gozo Yoshimasu

Drawing & Print (Drawing & Print)

Gozo Yoshimasu’s visual-poetry series Dear Monster (Kaibutsu-kun) explores his response to the March 2011 Tohoku earthquake and tsunami. He embarked on the project out of a deep sense of sympathy and commitment, in pursuit of “poetry possible after March 2011”, without exactly knowing where he was heading. He started scribing lines and letters on exceptionally large manuscript paper that he handcrafted every day.

Re/cover no. 6, 8, and 9
© » KADIST

Phan Quang

Photography (Photography)

Phan Quang’s portrait series Re/cover grapples with a lesser-known history in Vietnam. After World War II, many Japanese soldiers who fought in Vietnam stayed in the country. They married Vietnamese women, had children, and lived in the country until Japan recalled them home.

Nakayama
© » KADIST

Pierre Gonnord

Photography (Photography)

Nakayama is part of a larger body of work by Pierre Gonnord focusing on the analysis and description of the lifestyles of urban youth in large Western cities. These images reflect on new canons of beauty, and the appearances and simulacra of fashion for a new generation. In particular, these works consider themes of androgyny, crossbreeding, and recycling.

Three Times at Yamato Hotel
© » KADIST

Luka Yuanyuan Yang

Photography (Photography)

Composed of three photographic panels, Three Times at Yamato Hotel by Luka Yuanyuan Yang is a part of the artist’s ongoing project Dalian Mirage , a seven act play in a theatre staged as the city of Dalian. This modern city was built by the Russian Empire in 1898 and occupied by Japan between 1905 and 1945. Based on historical investigations, Yang created ten characters, including a Dalian-born Japanese writer and a Dalian-born American immigrant.

Head Box
© » KADIST

Jean-Luc Moulène

Sculpture (Sculpture)

Head Box by J ean-Luc Moulène i s not the representation of a space but a real space that remains in the domain of sculpture which the artist develops in parallel with his photographic practice. Created for an exhibition in Kitakyushu in Japan, it is painted green, a color that symbolizes life and creation in Japanese culture. Even though we are confronted with a hollow presence, this is above all a space to lodge a body in the vertical posture of the living.

Untitled (Don’t See, Don’t Hear, Don’t Speak)
© » KADIST

Shilpa Gupta

Photography (Photography)

The three monkeys in Don’t See, Don’t Hear, Don’t Speak are a recurring motif in Gupta’s work and refer to the Japanese pictorial maxim of the “three wise monkeys” in which Mizaru covers his eyes to “see no evil,” Kikazaru covers his ears to “hear no evil,” and Iwazaru covers his mouth to “speak no evil.” For the various performative and photographic works that continue this investigation and critique of the political environment, Gupta stages children and adults holding their own or each other’s eyes, mouths and ears. These images suggest that seemingly mobilized societies can actually produce more fear and myths, and that no real freedom is ensured. Instead of facilitating the free circulation of ideas, “advanced” political and technological systems often generate more cultural clichés, wars, and terror.

Process of Blowing Flour
© » KADIST

Koki Tanaka

Photography (Photography)

Tanaka’s unique understanding of objects and materials is reflected in the four photographs that document his Process of Blowing Flour . The images depict the gradual blowing away of a plate of flour held by Tanaka. Because his pose is static throughout the images, his presence is deemphasized and instead the viewer’s attention is drawn to the motion of the flour.

torii series
© » KADIST

Motoyuki Shitamichi

Photography (Photography)

Motoyuki Shitamichi launched his Torii project in 2006. He proceeded to visit and photograph torii that are situated outside Japan’s current national border. Expansionist Japan constructed numerous torii during its occupation of the Northern Mariana Islands (now a U. S. territory), Northeast China (former Manchuria), Taiwan, South Korea, and Sakhalin (the eastern most area of Russia).

Steak House
© » KADIST

Taro Izumi

Film & Video (Film & Video)

Steak House is a video representing two small puppets smearing the artist’s face with paint while he is sleeping. The work is based on modest means and reuses the classic theme of inanimate objects coming to life during the night while humans sleep. Is this the artist’s return to repressed feelings or fatigue provoked by the task?

KAKERA Series
© » KADIST

Tatsuki Masaru

Photography (Photography)

For the works KAKERA, Bullet Train and KAKERA, Loving God Tatsuki Masaru traveled throughout Japan to visit museums holding kakera (which translates to “fragments”) of Jomon Period potteries –Japan’s pre-history 2,300-15,000 years ago. Small and fragile, the kakera were donated by farmers who had found them in their fields, or by archeologists, and then wrapped in newspapers and stored away. Today they sit quietly on the shelves of museums, unknown to people.

144540
© » KADIST

Yosuke Takeda

Photography (Photography)

Yosuke Takeda gives the viewer brightly colored views, each of which he has searched out and patiently waited for. He gives light a density in the precise moments he captures—a forest’s leaves shimmering in the early morning, a street’s reflective surface radiating color at night, luminous blinds drawn over an apartment window. He achieves his distinctive effects by using an old, second hand analog-era lens that he attaches to his digital camera.

050020
© » KADIST

Yosuke Takeda

Photography (Photography)

Yosuke Takeda gives the viewer brightly colored views, each of which he has searched out and patiently waited for. He gives light a density in the precise moments he captures—a forest’s leaves shimmering in the early morning, a street’s reflective surface radiating color at night, luminous blinds drawn over an apartment window. He achieves his distinctive effects by using an old, second hand analog era lens that he attaches to his digital camera.

220357
© » KADIST

Yosuke Takeda

Photography (Photography)

Yosuke Takeda gives the viewer brightly colored views, each of which he has searched out and patiently waited for. He gives light a density in the precise moments he captures—a forest’s leaves shimmering in the early morning, a street’s reflective surface radiating color at night, luminous blinds drawn over an apartment window. He achieves his distinctive effects by using an old, second hand analog-era lens that he attaches to his digital camera.

In the State of Amnesia
© » KADIST

Meiro Koizumi

Film & Video (Film & Video)

Words by Meiro Koizumi: “The video installation work In the State of Amnesia is made with Mr. Nobuhiro Tanaka, who damaged his brain when he had an accident when he was 21. Since then he has been living with a memory disorder. I asked Mr. Tanaka to memorize a testimony of a Japanese soldier who served in the war in China during WWII.

Kastura
© » KADIST

Yuki Kimura

Photography (Photography)

Kastura (2012) is an installation consisting of 24 black-and-white photographs of the Katsura Imperial Villa in Kyoto bequeathed by Kimura’s grandfather; free-standing structures on which they are hung; and ornamental plants. The photographs appear to have been taken in late 1950s soon after tours of the villa were first offered to the public. Then, as today, visitors were led by a guide and could only follow a designated route.

Inder Kommen Sie / It’s a Comedy
© » KADIST

Meiro Koizumi

Film & Video (Film & Video)

This video installation was made for the exhibition “Journey to the West” held in January 2012 in New Delhi, where a group of curators invited six Japanese artists to produce a work to be made around the relationship between Japan and India. In the framework of this exhibition, Meiro Koizumi decided to use a controversial book of modern Japanese history The Judgement of Justice Radhabinod Pal , as material for his work. Koizumi created a performance combining the paradoxical context of this book with monstrous representation of Indian gods.

Untitled
© » KADIST

Martin Kippenberger

Drawing & Print (Drawing & Print)

Untitled is a work on paper by Martin Kippenberger comprised of several seemingly disparate elements: cut-out images of a group of dancers, a japanese ceramic vase, and a pair of legs, are all combined with gestural, hand-drawn traces and additional elements such as a candy wrapper from a hotel in Monte Carlo and a statistical form from a federal government office in Wiesbaden, Germany. Text cut out from a Newspaper spells out in German “Egg hunting in the Bavarian forest” and an additional piece of text reads in all capitals “BIN DABEI DU AUCH” (“I’m here too” in English). Together, all the messages and geographies from the separate elements suggest an alternative, highly stylized portrait of the artist; in this case, a fragmented, fluid, and itinerant sense of identity.

Akram Zaatari

Naoya Hatakeyama

Yosuke Takeda

Yosuke Takeda started from experimenting with darkroom photography production and he shifted over to digital photography, aware that photographic film and paper were becoming obsolete...

Gozo Yoshimasu

Gozo Yoshimasu is a prolific Japanese poet, photographer, artist and filmmaker active since the 1960s...

Koki Tanaka

Lieko Shiga

Based on an instinctive feeling of unease with the convenience and automation of daily life, Lieko Shiga has developed an artistic approach that links questions about the nature of the photographic medium with fundamental questions about life and the means of expressing oneself...

Meiro Koizumi

Meiro Koizumi is a Japanese video and performing artist, born in 1976...

William E. Jones

Kwan Sheung Chi

Kwan Sheung Chi obtained a third honor B.A...

Shimabuku

Born in 1969 in Kobe, Shimabuku is an artist who collects unusual encounters...

Barbara Kasten

Bruce Conner

Yuichiro Tamura

Yuichiro Tamura works in a wide range of media including video, photography, installation and performance...

Chikako Yamashiro

Chikako Yamashiro engages with political and social histoires of Okinawa to create haunting works drawing on oral accounts...

YOUNG-HAE CHANG HEAVY INDUSTRIES

YOUNG-HAE CHANG HEAVY INDUSTRIES, a partnership between the South Korean artist Young Hae Chang and the American poet Mark Voge, is widely known as a pioneering net art project...

Martin Kippenberger

Yuki Kimura

Focusing on the temporal and spatial layers inherent in the medium of photography, Yuki Kimura constructs relationships between photographs and exhibition spaces that imbue the act of viewing with new dynamism....

Tomoko Yoneda

Tomoko Kikuchi

Tomoko Kikuchi is a Japanese-born photographer...

Luka Yuanyuan Yang

Luka Yuanyuan Yang is a photographer, filmmaker and visual artist based in Beijing...

Trevor Paglen

Trevor Paglen’s work combines the knowledge-base of artist, geographer and activist...

Shay Arick

Violence is key to Shay Arick’s practice who employs photography, sculpture, performance, video and drawing as means to understand what motivates people to enact it...

Malik Nejmi

The practice of the French-Moroccan artist Malik Nejmi (b...

Melvin Moti

Scientific research, high and mass culture, and the processes of cultural production in contemporary society plays an important role in the work of Rotterdam-born artist Melvin Moti, currently based in Rotterdam and in Berlin...

Eric Baudelaire

Currently based in Paris, Franco-American artist Eric Baudelaire has developed an oeuvre primarily composed of film, but which also includes photography, silkscreen prints, performance, publications and installations...

Bady Dalloul

Bady Dalloul cunningly employs collage across various media: texts, drawings, video, and objects to produce powerful works commenting on the past and the present...

Hassan Massoudy

Hassan Massoudy trained as a classical calligrapher in Baghdad before attending the Ecole des Beaux-Arts in Paris in 1969...

Cao Fei

Maryanto

Maryanto is an artist with a background in printmaking whose research-oriented practice is deeply concerned with ecological footprints and actions of humanity...

© » SOUTH CHINA MORNING POST

about 3 months ago (02/12/2024)

‘Dazzling moments in the everyday’ inspire Japanese artist Mika Ninagawa’s immersive installation Eternity in a Moment | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Japanese filmmaker, photographer and visual artist Mika Ninagawa during an interview in her office in Tokyo...

© » APERTURE

about 3 months ago (02/09/2024)

Following a brutal and ongoing coup in 2021, artists from the country attempt to make sense of a troubling new political reality....

© » SOUTH CHINA MORNING POST

about 3 months ago (02/08/2024)

Different Mahjong versions, from the classical Chinese game to American mahjong, with its joker tiles, and Japanese riichi | South China Morning Post Advertisement Advertisement Chinese culture + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more There are many variations of mahjong played around the world, with different rules and scoring systems and in some, unique tiles...

© » SOUTH CHINA MORNING POST

about 3 months ago (02/07/2024)

All about washi: Japanese handmade paper’s ancient Chinese roots, its uses from writing to home decor, and why it can cost US$120 a sheet | South China Morning Post Advertisement Advertisement Asia travel + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Sheets of Hosokawa-shi, a type of Japanese washi recognised by Unesco as an item of intangible cultural heritage...

© » HYPERALLERGIC

about 3 months ago (02/06/2024)

Family Portrait: Japanese Family in Flux Skip to content Still from Still Walking (2008), dir...

© » MODERN MET ART

about 3 months ago (01/30/2024)

New Exhibition Merges Pokémon with Japanese Craft Home / Art Unique Pokémon Exhibit Made With Traditional and Contemporary Japanese Craft Techniques By Margherita Cole on January 30, 2024 Photo: ©JAPAN HOUSE Los Angeles Since its debut in 1996, Pokémon has become a fixture of pop culture...

© » LENS CULTURE

about 3 months ago (01/28/2024)

Great Portrait Advice from Award-Winning Photographers, Part 2 | LensCulture Feature Great Portrait Advice from Award-Winning Photographers, Part 2 Former LensCulture Award winners share their best creative advice as well as tips for advancing your career as a portrait-maker and photographer...

© » SOUTH CHINA MORNING POST

about 3 months ago (01/28/2024)

Japanese artist Yoshitomo Nara on his art’s meaning, and chasing the ‘carefree freedom’ of childhood | South China Morning Post Japanese artist Yoshitomo Nara on his art’s meaning, and chasing the ‘carefree freedom’ of childhood Art Yoshitomo Nara, one of Japan’s leading contemporary artists, talks about his influences, from punk rock to Kraftwerk, and what drives him – it isn’t money Kate Whitehead + FOLLOW Published: 7:15am, 29 Jan, 2024 Why you can trust SCMP I am from Aomori, in the north of Japan’s main island of Honshu...

© » SOUTH CHINA MORNING POST

about 3 months ago (01/28/2024)

A Hong Kong village house with a Balinese vibe brings Scandinavian, Moroccan and Japanese elements together seamlessly – and it all started with a single-line drawing....

© » ARTLYST

about 3 months ago (01/26/2024)

Richard Prince and his affiliated galleries, Gagosian and Blum & Poe, have reached settlements in two copyright lawsuits lodged against him by photographers.....

© » LENS CULTURE

about 3 months ago (01/18/2024)

Great Portrait Advice from Award-Winning Photographers, Part I - From past LensCulture Portrait Award Winners and Finalists | LensCulture Feature Great Portrait Advice from Award-Winning Photographers, Part I Former LensCulture Award winners share their best creative advice as well as tips for advancing your career as a portrait-maker and photographer...

© » APERTURE

about 4 months ago (01/03/2024)

At a moment when women are increasingly losing control over their own bodies, can self-representation become a form of resistance?...

© » ARTNET

about 4 months ago (12/18/2023)

The artist's philosophical paintings are on view at the Kyoto City Kyocera Museum of Art...

© » LARRY'S LIST

about 4 months ago (12/18/2023)

Art Collector of Japanese Art Who Began with a £55 Punt Sees His Collection Go on Show at the Royal Academy - via The Jewish Chronicle...

© » THE GUARDIAN

about 5 months ago (12/12/2023)

‘We laughed and cried a lot’: a Japanese photographer in Alabama – in pictures | Art and design | The Guardian Skip to main content ‘We laughed and cried a lot’: a Japanese photographer in Alabama – in pictures ‘He looked very proud’ … Matthew in His Car, 2019 The Band, 2017 When Japanese photographer Fumi Nagasaka was invited by her friend Tanya to visit her home town of Dora, Alabama, it proved to be a moment of creative inspiration...

© » SOUTH CHINA MORNING POST

about 5 months ago (12/12/2023)

Japanese ‘rainbow artist’ Ay-O’s debut solo Hong Kong exhibition the first in a series highlighting significant Asian artists | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Japanese artist Ay-O’s screenprint “Homage to Rousseau” is part of his exhibition at the M+ museum of visual culture in the West Kowloon Cultural District...

© » MODERN MET PHOTOGRAPHY

about 5 months ago (12/02/2023)

100+ Photographers Help Raise Funds for 13 Orphaned Elephants Home / Photography 100+ Photographers Contribute Their Work To Raise Funds for 13 Orphaned Elephants By Regina Sienra on December 2, 2023 Photo: Ami Vitale/Courtesy of Vital Impacts “Lorok and Ngilai comfort one another as they explore the wilderness at Reteti Elephant Sanctuary in northern Kenya...

© » I-D VICE PHOTO

about 5 months ago (11/23/2023)

Something Special Studio's new photobook collates different personal visions of sun, skin and sweat....

© » ART CENTRON

about 6 months ago (11/03/2023)

James Barnor Prize for African Photographers Goes to Mário Macilau - Artcentron Home » James Barnor Prize for African Photographers Goes to Mário Macilau ART Nov 3, 2023 Ξ Leave a comment James Barnor Prize for African Photographers Goes to Mário Macilau posted by ARTCENTRON Untitled , Circle of Memories series, 2020 by Mário Macilau, winner of the second edition of the James Barnor Prize The multidisciplinary artist and activist from Mozambique, Mário Macilau, is the winner of the James Barnor Prize...

© » LENS CULTURE

about 7 months ago (10/09/2023)

Tokyo’s International Urban Photo Festival — T3 - A multitude of photographers at various locations throughout Tokyo | LensCulture Feature Tokyo’s International Urban Photo Festival — T3 Scattered across more than 15 different venues throughout the city, Tokyo’s free outdoor international photo festival opens this month showing work that revolves around the theme “Link Up!” A multitude of photographers at various locations throughout Tokyo Tokyo’s International Urban Photo Festival — T3 Scattered across more than 15 different venues throughout the city, Tokyo’s free outdoor international photo festival opens this month showing work that revolves around the theme “Link Up!” In the fifth edition of T3 Photo Festival Tokyo , visitors are invited to explore various neighborhoods while enjoying photographic exhibitions, lectures and workshops throughout the city...

© » LARRY'S LIST

about 7 months ago (10/05/2023)

WHAT MUSEUM, situated in Tennoz, Tokyo, is currently hosting a captivating exhibition entitled "ART de Cha Cha Cha - Exploring the DNA of Japanese Contemporary Art -" from the esteemed Takahashi Ryutaro Collection...

© » LARRY'S LIST

about 19 months ago (10/05/2022)

Japanese Mega-Collector Yusaku Maezawa Is Giving Away $9 Million to His Twitter Followers to See If Money Makes People Happy - via artnet news...

© » LARRY'S LIST

about 19 months ago (10/05/2022)

What happens when a fish baron from Japan decides to collect contemporary Indian art and wants to sell some of his precious collection? He goes to a distinguished gallery in Mumbai, Pundoles, that has history......

© » ART PIL

about 19 months ago (09/27/2022)

30 Under 30 Women Photographers | ARTPIL ARTICLES PROFILES ANNOUNCEMENTS WORKS COLLECTIONS EXHIBITIONS 30/30 WOMEN PHOTOGRAPHERS ABOUT CONTRIBUTORS SUBMISSIONS ARTICLES art photography film + video culture + lifestyle exhibits + events features prescriptions PROFILES artists photographers filmmakers designers/architects fashion organizations/mags museums/galleries ANNOUNCEMENTS ANNOUNCES WORKS COLLECTIONS EXHIBITIONS 30/30 WOMEN WORKS COLLECTIONS ABOUT CONTRIBUTORS SUBMISSIONS + [–] Search for: Search Button • 30 Under 30 Women Photographers Annual Selection Founded in 2010, 30 Under 30 Women Photographers has helped emerging, mid-career, as well as some accomplished women photographers gain further exposure and participate in a collective among peers...

© » ARTS EQUATOR

about 49 months ago (04/16/2020)

Weekly Southeast Asia Radar: Japanese ska in Saigon, experimental music in Yangon | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Alberto Prieto via Saigoneer April 16, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...

© » HIGH FRUCTOSE

about 52 months ago (01/18/2020)

Toshio Saeki, the legendary Japanese artist known for blending eroticism, horror, and humor in his works, passed away in November at the age of 74...

© » PIER 24

about 53 months ago (12/11/2019)

Pier 24 New Publication—Photographers Looking at Photographs Available - Pier 24 New Publication— Photographers Looking at Photographs Available December 10, 2019 We are please to announce our newest publication— Photographers Looking at Photographs: 75 Pictures from the Pilara Foundation —is now available...

© » ARTS EQUATOR

about 61 months ago (04/24/2019)

Podcast Interview: Performance Photographers | Arts Equator Thinking and Talking about Arts and Culture in Southeast Asia Festival (Podcast) Crispian Chan (by Izdiyad Ahmad), Bernie Ng (by Biru Chua), Kuang Jingkai April 24, 2019 Duration: 45 min In this interview with Crispian Chan , Bernie Ng and Kuang Jingkai , three photographers of theatre and dance, we get to know more about a profession that’s sometimes taken for granted but is an essential aspect of the packaging of a performance...

© » ARTS EQUATOR

about 70 months ago (07/18/2018)

The World Cup, The Japanese Occupation and Our Painful Inheritance Thinking and Talking about Arts and Culture in Southeast Asia Articles July 18, 2018 This article is republished from the Singapore International Film Festival editorial...